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African American Dance Ensemble

African American Dance Ensemble | About Us

OUR MISSION

To preserve and share the finest traditions of African and African American dance and music through research, education and entertainment. To celebrate traditional African culture, aesthetics and values as resources: To encourage interracial cooperation and cross-cultural understanding while developing partnerships and collaborations with community programs and resources. 


OUR VISION

That through Dance we become the means by which our community come to see and understand something of the human condition. To focus on at-risk, underprivileged and underserved youths and provide a path from imprisonment, poverty, drug dependency to a positive and productive life.

 

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The choreographic works of the African American Dance Ensemble are derived from Africa. We try to depict customs, traditions and occasions of African life as authentically as possible so that African American and all Americans will know more of the great continent which has influenced and still influences much of our daily life.  


AADE, under the direction of program director, Demetrius Holder, is committed to OUTREACH, focusing on the well-being and a positive future of OUR Youth. We continue the Legacy of Dr. Chuck Davis in preserving, teaching and performing traditional African Dance Music and Values.


AADE is the home of the annual KWANZA FEST, a cultural celebration that helps shape the African American community experience in Durham, NC.

African American Dance Ensemble | Our Founder

Dr. Charles "Chuck" Davis - Founder

April 1985-May 2017


Dr. Charles "Chuck" Davis was a renowned American dancer, choreographer, and educator, celebrated for his contributions to the African American dance community and the promotion of cultural heritage through movement. Born on April 7, 1937, in Durham, North Carolina, Davis developed a passion for dance at an early age, influenced by the rich cultural traditions of his surroundings.


He attended North Carolina Central University, where he studied sociology and dance, laying the foundation for his future career. Davis later moved to New York City, where he became immersed in the vibrant arts scene and began to work with various dance companies, including the African American Dance Ensemble, which he founded in 1980.

Davis's work often blended traditional African dance with modern and contemporary styles, creating a unique and dynamic form of expression. He was dedicated to preserving and sharing African American dance traditions, conducting workshops and classes across the country and internationally.


In addition to his work as a performer and choreographer, Davis was also a passionate educator. He taught at several universities and institutions, sharing his knowledge and love of dance with countless students. His impact extended beyond the stage and classroom, as he worked tirelessly to advocate for the inclusion and recognition of African American dance in the broader arts community.


Throughout his career, Davis received numerous accolades for his contributions to dance and education, including grants and honors from prestigious organizations. His legacy is celebrated for its emphasis on cultural pride, community engagement, and the transformative power of dance.

Dr. Charles "Chuck" Davis passed away on April 14, 2023, leaving behind a rich legacy that continues to inspire dancers and educators around the world. His commitment to the art form and the cultural narratives it conveys remains a vital part of the dance community.

African American Dance Ensemble | Our History

 From 1980 to 1984, the Chuck Davis Dance Company was in residence each season with the American Dance Festival’s Community Services Program. During this period, participation in the outreach program steadily increased. By 1983, it had become evident that a core group of local dancers was emerging, with skill levels approaching those of the professional artists from whom they were learning.


This growth led to the formation of the African American Dance Ensemble. The Ensemble made its official debut in February 1984, presenting its first full concert as an independent professional company.

In the 1985 season of the American Dance Festival, the African American Dance Ensemble took its place among the established dance companies. That year, it premiered two new works by Chuck Davis—Saturday Night, Sunday Morning and Drought—both commissioned by the Festival.


 “Peace, Love, Respect for Everybody” is far more than a catchy way to conclude a concert—it is a guiding philosophy. Likewise, the African American Dance Ensemble is much more than just another dance troupe. It serves as a powerful agent of positive social change and a living affirmation of the highest human values: peace, love, and respect.


A concert by the African American Dance Ensemble is simultaneously entertaining, enlightening, and empowering. With dramatic staging, vibrant rhythms, masterful choreography, and vivid costumes, each performance captivates enthusiastic audiences and delivers an unforgettable artistic experience. Yet, this is only the beginning.


No one leaves a performance without learning something. The Ensemble’s artists actively share elements of African culture, encouraging audience participation in traditional rituals. These chants and ceremonies are carefully placed in their proper historical and cultural contexts, ensuring that every spectator gains knowledge and understanding.


More profoundly, learning occurs on an emotional and intellectual level that can only be described as enlightening. Through dance, the Ensemble offers a lens into the human condition. Themes such as imprisonment, famine, poverty, drug addiction, slavery, and war are poignantly contrasted with the joy of liberation, the abundance of harvest, and the beauty of marriage and birth. This powerful artistic fusion commands attention and delivers a compelling message.


The Ensemble's work not only denounces the darkest aspects of human experience and celebrates the brightest, but it also calls its audience to action—challenging them to combat injustice and uplift what is good. Audiences leave performances feeling connected: to themselves, to one another, and to the musicians and dancers who made the experience possible.


The African American Dance Ensemble: Today and Always, A Celebration of Humanity.

Founding Dancers

Founding Musicians

 

  • Venita (Ashford) Allen
  • Gloria (Muldrow) Bailey (past title: Dance Capt)
  • Ivy Burch (past title: Dance Capt)
  • Lou Carter
  • Toni K. Hall (prior title: Dance Capt)
  • Brenda Hayes (past title: Costumes/ Attire)
  • Gail (Martin) Rouse
  • Ava (McFarland) Vinesett (past title: Assistant to the Director)
  • Leah Wise
  • Thaddeus Bennett
  • Lavender “L.D.” Burris
  • Jimmie Green
  • Sherone Price
  • Jimmy Williams

Founding Musicians

Founding Musicians

 

 

  • Beverly Botsford
  • George Glenn
  • Khalid Saleem (past title: Musical Director)
  • Hashim Saleh

African American Dance Ensemble | Board of Directors

Ms. Kimberly Monroe - Chair

Mrs. Marjorie Black - Secretary

Mr. Armeer Kenchen - Treasurer

Dr. Daran Mitchell

Mr. James Tabron

Copyright © 2025 African American Community Collaborative, Inc. - All Rights Reserved.

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